The Indic Oral Culture Project successfully concluded its pilot phase, a collaborative effort to document and preserve the region’s oral heritage with the active participation…
Category: News
Balint Pekker: Simplifying Drupal Documentation
Are you new to the world of Drupal, eager to dive into its powerful capabilities, but encountering obstacles in the form of outdated tutorials and confusing documentation? You’re not alone. Beginning your Drupal journey can feel like navigating uncharted territory, leaving many feeling frustrated before they even begin.
ActiveRecord::Base#pluck adds support for hash values in Rails 7.2
ActiveRecord pluck and pick can accept hash values for specifying columns from Rails 7.2
https://blog.saeloun.com/2024/04/26/rails-7-2-activerecord-pluck-to-accept-hash-values/
https://blog.saeloun.com/2024/04/26/rails-7-2-activerecord-pluck-to-accept-hash-values/
How not to release historic source code
Regarding the release of the MS-DOS 4.00 source code, Michal Necasek makes an excellent point about how just dumping the code in git is a terrible and destructive way to release older source code. It’s terrific that the source code for DOS 4.00/4.01 was released! But don’t expect to build the source code mutilated by git without problems. Historic source code should be released simply as an archive of files, ZIP or tar or 7z or whatever, with all timestamps preserved and every single byte kept the way it was. Git is simply not a suitable tool for this. ↫ Michal Necasek at OS/2 Museum The problems caused by dumping the code in git are quite real. Timestamps are not preserved, and the conversion to UTF-8 is deeply destructive, turning some parts of the code to literal gibberish. It’s a bit of a mess, and the people responsible for these release should be more careful and considerate.
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Open Group: Repeat after Me II / Polish Pavilion at Venice Art Biennale 2024
Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga): Repeat after Me II / Polish Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.
Official description: Repeat after Me II is a collective portrait of witnesses of the war in Ukraine. The protagonists of two films from 2022 and 2024 are civilian war refugees who speak of the war as recalled through the sounds of firearms, and then invite the audience to repeat after them. The artists use a karaoke format. The accompaniment here is not hit tunes: it is shots, missiles, howling, and explosions—and the lyrics are descriptions of deadly weapons. This is the soundtrack of a war that the witnesses try to recreate. The ability to recognise these sounds can save their lives, and we are invited to learn the language of their experiences. The audience can repeat the sounds of the weapons or withdraw into the safe space designed to resemble a karaoke bar. Yet this is no ordinary bar, like the ones we know: it is an instructional karaoke venue forecasting an even more militarised future. This spectre will remain with us for so long as nationalist imperialist policies will be accepted as part of a diplomatic compromise.
Official description: Repeat after Me II is a collective portrait of witnesses of the war in Ukraine. The protagonists of two films from 2022 and 2024 are civilian war refugees who speak of the war as recalled through the sounds of firearms, and then invite the audience to repeat after them. The artists use a karaoke format. The accompaniment here is not hit tunes: it is shots, missiles, howling, and explosions—and the lyrics are descriptions of deadly weapons. This is the soundtrack of a war that the witnesses try to recreate. The ability to recognise these sounds can save their lives, and we are invited to learn the language of their experiences. The audience can repeat the sounds of the weapons or withdraw into the safe space designed to resemble a karaoke bar. Yet this is no ordinary bar, like the ones we know: it is an instructional karaoke venue forecasting an even more militarised future. This spectre will remain with us for so long as nationalist imperialist policies will be accepted as part of a diplomatic compromise.
Rss.App Review
Let me start by expressing my deep frustration with the customer service I received from RSS.App. I was excited to use their service, which sets up widgets for websites to enhance content accessibility. After trying the trial version and finding it lacking the features I needed for my website, I decided to purchase the $19.99 plan to explore further.
However, my excitement quickly turned to disappointment when I encountered issues with integrating the widget into my WordPress-hosted website. Despite adjusting dimensions and attempting various fixes, the widget remained off-centered. I assumed I was doing something wrong until I reached out to customer support for assistance.